Laura Strickling was praised by The New York Times for her, “flexible voice, crystalline diction, and warm presence.” Celebrated for her work on the concert and recital stage, she has performed at Carnegie Hall, Avery Fisher Hall at Lincoln Center, the Kennedy Center, National Sawdust, Trinity Church on Wall Street, Washington National Cathedral, the Opera America Center, Mexicoliederfest, Liederfest in Suzhou (China), and the Afghanistan National Institute of Music.

Her concert soloist engagements include Messiah (Handel) with the Indianapolis Symphony and the Richmond Symphony, at Avery Fisher Hall at Lincoln Center with DCINY, and at the Kennedy Center with the Metropolitan Chorus, Gloria (Poulenc) with the Asheville Symphony, Mass in c minor (Mozart) with the Richmond Symphony, Cathedral Choral Society, and Berkshire Choral International, Stabat Mater (Dvořák) with Berkshire Choral International, Ein Deutsches Requiem (Brahms) with the Bel Canto Chorus of Milwaukee and Chorosynthesis, Luonnotar (Sibelius) and Les Illuminations (Britten) with the Tanglewood Music Center Orchestra, Knoxville: Summer of 1915 (Barber) and Les Illuminations (Britten) with Mexicoliederfest, Gloria (Poulenc) with the Asheville Symphony, Ninth Symphony (Beethoven) and Carmina Burana (Orff) with Choralis, Requiem (Mozart), Credo Mass (Mozart), Dixit Dominus (Handel), Gloria (Vivaldi), Lord Nelson Mass (Haydn), and Mass in C (Beethoven). Her performance of Mozart’s Mass in C minor and Exsultate jubilate with the Cathedral Choral Society was broadcast by WETA, and her performance of Poulenc’s Gloria with the Asheville Symphony was broadcast by Blue Ridge Public Radio.

A devoted recitalist, Laura Strickling curated The New Music Shelf Anthology of 20 contemporary art songs for soprano. She is on the roster of the Brooklyn Art Song Society, and has appeared with Lyric Fest of Philadelphia, Joy in Singing, Trinity Concerts at One, the American Liszt Society, Baltimore Lieder Weekend, the Half Moon Music Festival, Concerts on the Slope, Art Song at the Old Stone House, the Brooklyn New Music Collective, SongFusion, and Vox 3 Collective, was a featured performer at the 2016 New Music Gathering, and presented a radio broadcast recital of American art songs on “Live from WFMT” in Chicago with pianist Daniel Schlosberg. Laura and pianist Liza Stepanova were Artists in Residence in December 2016 at the Yellow Barn Music Festival, where they presented a program of Granados and modern songs in Spanish, including the world-premiere of Ciudades del Porvenirby Reinaldo Moya. She has presented guest artist recitals at the University of Georgia, Mercer University, College of William and Mary, Mercer University, University of Notre Dame, Notre Dame University of Maryland, Pittsburg State University, McDaniel College, and St. Mary’s College. A specialist in new music, she has collaborated with composers Libby Larsen, Tom Cipullo, James Matheson, Juliana Hall, John Musto, Reinaldo Moya, Daniel Felsenfeld, and Glen Roven.

Ms. Strickling created the role of Fanni Radnòti in the World Premiere of Tom Cipullo’s opera The Parting with Music of Remembrance in Seattle and San Francisco. She is an alumna of the Berkshire Opera Company resident artist program, where Opera News praised her performance of the Dew Fairy in Humperdinck’s Hansel and Gretel, “Laura Strickling offered the creamy, clear, younger-sister-of-Eva-Pogner instrument ideal for singing the role over full orchestration.” She appeared as Pamina in the Metropolitan Opera Guild's touring outreach production of The Magic Flute. Ms. Strickling’s operatic roles include Countess Almaviva (Le nozze di Figaro), Cleopatra (Julius Caesar), Mimi (La bohème), Dinorah (Dinorah), Elvira (L’italiana in Algeri), Josephine (H.M.S. Pinafore), Gretel (Hansel and Gretel), The Dew Fairy (Hansel and Gretel), and Micaëla (Carmen).  She created the role of Muriel in the world premiere of Thomas Benjamin’s The Alien Corn with the Peabody Opera Theater.

Her recording of James Matheson’s Times Alone with Yarlung Records was hailed by MusicWeb International for, “shapely, nuanced voicings and emotional urgency...a striking directness.” New Voices, the Billboard Classical Top-Ten-selling CD including her recording of Glen Roven’s The Vineyard Songswith pianist Michael Brofman was acclaimed by Opera News, “Laura Strickling’s lovely diction and warm, clear sound bring attractive immediacy to this cycle.” She can also be heard on the “New American Song @SongFest,” CD, performing Jake Heggie’s Edna St. Vincent Millay with pianist Dimitri Dover, and on The Garden: Songs and Vocal Chamber Music of Tom Cipullo, performing the landmark song cycle Of a Certain Age with pianist Liza Stepanova. Her upcoming recordings include her first solo CD project of American art songs with pianist Joy Schreier, and the new opera The Parting by Tom Cipullo, co-starring baritone Michael Mayes and mezzo-soprano Catherine Cook.

Ms. Strickling was a vocal fellow at the Tanglewood Music Center in 2013 and 2014, a resident artist at the Steans Music Institute at Ravinia in 2012, a recipient of the Marc and Eva Stern Fellowship at SongFest in 2011 and 2012, and performed in The Song Continues…with Marilyn Horne – Weill Music Institute’s 2012 Professional Training Program at Carnegie Hall. She is a graduate of the Peabody Institute of Johns Hopkins University (M.M. in Voice), and Moody Bible Institute (B.M. in Sacred Music).

A Chicago native, Ms. Strickling is an avid traveler, having lived in Morocco, where she studied classical Arabic at the Arabic Language Institute of Fez, and Kabul, Afghanistan, where her husband was the founding chair of the Department of Law at the American University of Afghanistan. She currently makes her home in St. Thomas, U. S. Virgin Islands.